Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.   Related Paintings of GIOTTO di Bondone :. | Presentation of the Virgin in the Temple | Dream of the Palace | Marriage at Cana | Anna and Joachim Meet at the Golden Gate (mk08) | The Birth of the Virgin |
Related Artists:
Jens Birkholm
painted Warmehalle in Berlin in 1908
DALMAU, Lluis
Spanish Early Renaissance Painter, active 1428-1461
Peeter Danckers de Rij
Pieter, Peeter, or Peter Danckerts de Rij, Dankers de Ry, or Peteris Dankersas (1605, Amsterdam - 9 August 1661, Rudnik) was a Dutch Golden Age painter. He was the son of Cornelis Danckerts de Ry, member of a large family of printers, painters and engravers. Adam Kazanowski - by Peeter Danckers de Rij. Example of Dankerts-Sandrart collaboration in print of PC Hooft. This 1642 engraving was painted by Sandrart, etched by Reinier van Persijn, and printed by Danckerts. The poem in Latin at the bottom was written by Caspar Barlaeus.Cornelis is mentioned in Houbraken's Schouburg as being one of the many teachers of Joachim von Sandrart in 1640-41, though considering Sandrart's age and experience (he had just returned to the North from his Grand Tour to Italy), this was more of a collaboration. Since Filippo Baldinucci later wrote a biograhical sketch on Pietro Danckerse de Ry in his list of artists called the Notizie, it is possible that Danckerts visited Italy at some time. In any case Sandrart engraved some of Peter's paintings after this period. Peter was active until 1640 in Amsterdam, and then he moved to Warsaw, Danzig, and Vilnius in the Polish-Lithuanian Commonwealth. He was active in Poland as the court painter and architect of the Polish King Władysław IV Vasa. According to Houbraken a poem was written in his honor that applauds his work in Poland. He died as the result of a highway robbery in the Redininkai Forest near Vilnius, Lithuania.